- Introduction
- Context
- Life
- Thought
-
Works
- The multilingual nature of Llull's works
- Llull and the catalan language
- Diffusion and preservation
- Book of Contemplation
- Book of the Gentile
- Book of the Order of Chivalry
- Doctrina pueril
- Romance of Evast and Blaquerna
- Book of the Lover and the Beloved
- Ars demonstrativa
- Felix or the Book of Wonders
- Book of the Beasts
- Desconhort
- Tree of Science
- Exemplary Tree
- Cant de Ramon
- Rhetorica nova
- Logica nova
- Liber de fine
- Ars brevis
- Phantasticus
- Ars brevis praedicationis
- Gallery of images
- Database / Dictionary
Illumination at Randa
The discovery of the Art was a response to an initial doubt over ‘how and in which manner’ Llull ought to write the book that he had planned to compose. The Vita coetanea located the occurrence during a period of time devoted to contemplation on a mountain top, which tradition has identified as Randa, not far from the city of Majorca (Palma). The text of the narrative states: ‘the Lord suddenly illuminated his mind, giving him the form and method for writing the aforementioned book against the errors of the unbelievers’ (III, 14). The text adds that Ramon went straight away to an abbey and composed the book ‘calling it at first Ars major, and later on the Ars generalis’. The title of the work in which this first redaction of the Art took shape was the Ars compendiosa inveniendi veritatem (Brief Art of Finding the Truth).
If we bear in mind this narrative and the references Llull made to this event in his works, it is clear that he associated the discovery of the Art with a key moment, somewhere between intuition and a specific instance of divine grace; which does not prevent one from understanding this moment as the culminating point in a reflective, contemplative process of greater duration. The Book of Contemplation, in fact, seems to bear witness to this process.